Monday, February 14, 2011

A Double Consciousness: Christianity in Beowulf

We don’t know much about the man who wrote Beowulf. We do know that he was a Christian, living in a recently converted Christian community, and telling an inherently Pagan story. As a result the poem has what can be described as a double consciousness to it. Although the poet was a Christian, he was able to display the differing values of Germanic Paganism and Christianity without passing judgment on the older system. Part of what allowed him to do this so successfully was that he turned many of the story’s main characters into natural Christians, men who, although nominally Pagan, often speak and act like Christians.

The values of Germanic society are presented in Beowulf even though they often contradict Christian values. The poem, mirroring Pagan society, values physical strength and courage in its citizens. Throughout the poem Beowulf is respected for possessing these characteristics. Upon arriving in Hrothgar’s kingdom, Beowulf is confronted by the lookout, who says, “Nor have I seen/ a mightier man-at-arms on this earth/ than the one standing here: unless I am mistaken/ he is truly noble,” (247-250)*. Before Beowulf even spoke the lookout made positive assumptions about his character, assumptions that don’t fit in a Christian world that believes, “Blessed are the meek for they shall inherit the earth.” The poem also puts a high value on gold and treasure, which are not merely sources of wealth but measurements of a man’s honor. Beowulf is given gifts after each victory and these gifts become symbols of his glory, a far cry from “Blessed are the poor for theirs is the kingdom of heaven.” The greatest discrepancy between the Pagan values presented and Christian values is with regards to revenge and forgiveness. Whereas Jesus taught to turn the other cheek, in Germanic society it was necessary to maintain honor that any killing be avenged. After Grendel’s mother kills Aeschere, Beowulf advises Hrothgar “It is always better/ to avenge dear ones than to indulge in mourning,” (1384-1385).

What truly gives Beowulf its double consciousness then is the fact that the poet is able to accurately portray the pre-Christian Germanic world without letting his own Christian beliefs, which are ever present, force him into judgments. What made this achievable for the author was that he endowed his Pagan characters with Christian respectability. He made it clear early on that his characters are not Christians. He describes the way they worshiped at “pagan shrines” (175) and explained “The Almighty Judge/ of good deeds and bad, the Lord God,/ Head of the Heaven and the High King of the World,/ was unknown to them,” (180-183). Nonetheless, the main characters often speak like Christians. Upon seeing Grendel’s severed arm Hrothgar says, “First and foremost, let the Almighty Father/ be thanked for this sight,” (927-928). Beowulf does the same thing, often addressing praise and requests to a single, seemingly monotheistic God. Hrothgar and Beowulf are both also presented as rulers who act in the best interest of their people, with genuine concern and compassion. So, although they are far from perfect Christians, they are even further from sinful, barbaric Pagans. The poet presented his characters with these Christian aspects as a way to soften the Pagan elements of their characters and to avoid the necessity of being overtly critical of the Pagan society he wrote about.

*All citations refer to numbers from the version of Beowulf that appears in The Norton Anthology: English Literature.

10 comments:

  1. I would have to disagree with your last statement about the poet presenting his Pagan characters with Christan values because he didn't want to be overly critical of their society. That may be a part of it, but there is a much deeper level to his methodology.
    What the author is trying to do here is to use the form of Pagan mythology to make Christian truths more readily evident to the people who relate to them. In order to get through to Pagans, he tries to speak to them in a way that they will understand. Previously, the people to whom the author is addressing his story, relied on mythical poems of heroes and monster etc. to reinforce their religious/moral codes. Those stories were their "Bible" so to speak. The author of Beowulf is trying to "redeem" those ancient myths by emphasizing their inherent Christian values.

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  2. I love that you offered background insight on the mysterious author of Beowulf. Additionally, I agree that the text values physical strength and courage in its citizens. Many of the characters, especially Beowulf, appear very sure of themselves and confident, at least in their conversations with one another. While Beowulf if made to seem the bravest of them all, bravery exists throughout the community and is therefore, like you said, a cultural value. Many of their tales and fables, ranging from those about Beowulf to those about Grendel's mother, focus on power, cunning, physical skill, and bravery. That part of your rumination really stood out to me because I too took note of it as I did the reading.

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  3. Joanna, I like your comment and I agree my last sentence was probably a bit of an oversimplification. But I think the goal of the poet wasn't to instruct his audience in Christian values but to tell this epic story complete with its Pagan values. The inclusion of Christian values, I think was merely a reflection on the author, his way of thinking, and the values of the society he lived in.

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  4. Steve and Joanna, you both seem to have a strong opinion about the author's intent. Joanna, if I'm understanding you correctly, would it be fair to say that you read Beowulf as a form of religious propaganda?

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  5. I think this rumination has a multitude of solid arguments in it, and I really like how Steve included excerpts from the Bible to show the distinction between Christian and Germanic societies. However, I'm inclined to agree more with Joanna's comment regarding Beowulf - that the author is using a Pagan form to introduce Christian ideals. This particularly struck me in the very beginnings of the work, when the author is describing Grendel's origins, saying, "He was of a race of monsters, exiled from mankind by God. He was of the race of Cain, that man punished for murdering his brother. From that family comes all evil beings - monsters, elves, zombies. Also the giants who fought with God and got repaid with the flood . . ." Here we see that the author is mashing together both Christian (God, Cain, the Flood) and Pagan (zombies, monsters, elves) ideals. It becomes even more apparent at other points in the story when the author abandons Paganism altogether, opting to focus on Christian themes instead. For instance, after Grendel takes over the mead hall, the author makes an aside stating, "(Woe be to those who go to the fire's embrace, even in great distress - there is no consolation there.)" It's evident, in the further context of that passage, that the author is talking about the fires of hell, and thus infusing Beowulf with Christian details. I agree that the story has strong Pagan attributes, but Joanna is definitely on to something when it comes to the incorporation of Christianity in the story.

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  6. Some of those quotations might be slightly off, I haven't been able to get my hands on the Anthology yet so I had to read Beowulf online. My apologies!!

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  7. You guys have convinced me. I still think a lot of my points are valid, but I'm now leaning more towards what you guys are saying. So, thanks for opening me up to a different interpretation.

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  8. Following up on Joanna's theory, I too noticed many a time where Christianity overruled Beowulf's seemingly Pagan demeanor. Despite Beowulf drinking hardily and murdering many a creature and foe (elements of which make an epic poem 'epic'), the morals are overlooked when the big picture of good versus evil is brought into play. Wishing to save the Danes from the terror of Grendel and his mother, he sets out to vanquish evil in order to save those less fortunate than him, a charitable act. Those in which Beowulf murders are not normal people, they are avatars of Satan, evil incarnate. Subtleties also include the martyrdom of Beowulf after the slaying of the dragon, putting him in the realm of a "Christ figure", saving the world from the tyranny of evil at the cost of his own life, the ultimate sacrifice.

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  9. I think there are instances throughout the narrative where the author infuses a great deal of imagery into the story. When describing the character Grendel it is said that he is a descendant of Cain, the biblical figure responsible for the first murder in the Judeo-Christian tradition. I feel the author chooses Pagan imagery as a metaphor for actual Christian beliefs in order to convey to his Pagan audience the foundations of his own Christian beliefs.

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  10. Unfortunately, having just gotten my book, I don't have a strong opinion. I had only just started reading the prolouge. I though it was interesting that it is believed to be written by one author and that it is Germanic in nature. I'll pay close attention to this as I read it.

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